Bonnie TylerLouise
Directed by Fabien Valour, Thierry Vergnes
Louise is a heartfelt pop ballad by Welsh singer Bonnie Tyler, co-written with Paul D. Fitzgerald and produced by Jean Lahcène (under the alias John…
Directed by Fabien Valour, Thierry Vergnes
Louise is a heartfelt pop ballad by Welsh singer Bonnie Tyler, co-written with Paul D. Fitzgerald and produced by Jean Lahcène (under the alias John…
Directed by Darren Doane
Lucky is a duet by American singer-songwriters Jason Mraz and Colbie Caillat, released on January 13, 2009, as the third single from Mraz's album “We…
At Your Funeral by Saves the Day is a standout track from the band’s 2001 album “Stay What You Are”. This live performance on Late…
Directed by Tony Holden Dave Barber
Podunk is a heartfelt country track co-written and performed by Keith Anderson, released on September 9, 2006, as the fifth and final single from his…
Directed by Terri Timely
Invisible by Modest Mouse is a gritty, existential track layered with dissonance and lyrical ambiguity. The video is animated and abstract—filled with surreal landscapes, grotesque…
Directed by Sam Brown
A second "New Version" music video set in a stylized recording studio: Morrison performs surrounded by microphones and silhouetted backing musicians, intercut with quirky visual…
Brandi Carlile's "The Story," released in 2007, is a poignant folk-rock ballad that showcases her powerful vocals and emotive storytelling. Written by Phil Hanseroth and…
Directed by Michael Salomon
Trace Adkins’ “Ladies Love Country Boys,” released in 2006, is a fun, catchy celebration of opposites attracting. The song tells the story of a refined…
Directed by Nzingha Stewart
Hands Down by Dashboard Confessional is one of the most beloved emo tracks of the 2000s. Released in 2003, the song is a heartfelt narrative…
Directed by Adam Levite
A Decade Under the Influence by Taking Back Sunday, from their album "Where You Want to Be," is known for its emotive lyrics and blend…
Like Eating Glass launched Bloc Party’s debut with raw urgency and angular riffs. This 2004 “Later... with Jools Holland” performance captures the band's breakout moment,…
Directed by James Reitano
All Caps by Madvillain is a quintessential track from the legendary collaboration between MF DOOM and Madlib. The song is celebrated for its unique production,…
Directed by Marcus Adams
Fedde Le Grand's 'Put Your Hands Up For Detroit' is a defining track in early 2000s dance music, released in 2006. It blends electro-house beats…
Directed by Spike Jonze
A visually mesmerizing video featuring Björk in a forest setting with ethereal and magical elements.
Directed by Francis Lawrence
Alive is a single by P.O.D. from their fourth studio album, "Satellite," released on July 31, 2001. The song is one of the band's most…
Directed by Chris MUG5 Maguire
Old Sea Brigade & Luke Sital-Singh’s “Amaranth Moonlight” leans into the intimate pull of acoustic indie songwriting, all hushed atmosphere and quietly aching melodic weight.…
Directed by Eva Aridjis
The Rat is a blistering anthem by The Walkmen, released on April 19, 2004, as the lead single from their second album, "Bows + Arrows."…
Directed by Marc Webb
Spokesman' is a punk rock song by Goldfinger, released in 2002 as part of their album 'Open Your Eyes.' The track delivers a critical commentary…
Directed by Live Set
This “From The Basement” session features Radiohead performing “In Rainbows” live in studio. The intimate setting, crisp cinematography, and flawless execution highlight the album’s emotional…
Directed by Danny Clinch
El-P's music video for 'Deep Space 9mm,' directed by Danny Clinch, showcases the artist's innovative style and gritty aesthetic. Released in 2002, the video features…
Directed by Michael Salomon
Trace Adkins' “Hot Mama,” released in 2003, is a cheeky and confident tribute to the beauty and strength of everyday women—particularly moms who still have…
Directed by Francis Lawrence
Could I Have This Kiss Forever is a mid-tempo duet by American singer Whitney Houston and Spanish singer Enrique Iglesias. The song was written by…
Directed by Bill Young
The Greatest Man I Never Knew is a poignant ballad originally recorded by Reba McEntire in 1992, reaching number 3 on the Billboard Hot Country…
Explore 2000s music videos on AltSounds.TV, a human-curated channel for watching official music videos, classics, deep cuts and genre-spanning releases from the decade that reshaped how music videos were made, shared and discovered. The 2000s music video channel currently features 1,462 videos spanning 1996-2010, including videos connected to artists such as Kanye West, Eminem, Linkin Park, Slipknot, Biffy Clyro, The Streets, Super Furry Animals, Shakira, Brad Paisley and Toby Keith.
This page is designed for anyone looking for the best music videos of the 2000s, official 2000s music videos, decade-based music video discovery, or a clearer way to browse the visual culture of the early digital music era. Instead of relying only on search engines, social feeds or disconnected video results, AltSounds.TV organises music videos by decade, artist, genre and related channel.
The 2000s were a major turning point for the music video. The decade connected the final years of traditional music television with the rise of online video, digital downloads, social discovery and searchable archives. Music videos still mattered as big cultural events, but they also became easier to revisit, share and rediscover outside scheduled television programming.
The 2000s channel brings together music videos from across rock, pop, hip-hop, electronic, R&B, country, indie, alternative, metal, punk, emo, dance, folk and singer-songwriter music. It includes mainstream hits, underground releases, live sessions, archive performances, director-led videos and genre-specific clips from across the period.
The page is organised as a decade channel, which means viewers can explore music videos from the 2000s without needing to search artist by artist. You can start with the full 2000s music videos channel, then move into related discovery routes such as All Genres, Time Travel, Alternative, Pop, Rock, Electronic, Hip Hop, R&B, Dance and Country.
The 2000s page also sits between the 1990s music videos archive and the 2010s music videos channel, making it useful for comparing the music television era with the digital-first decade that followed.
The 2000s changed the way music videos circulated. Earlier decades were shaped heavily by television programming, but the 2000s pushed the format into a more searchable, shareable and replayable environment. A video could still launch through traditional media, but it could also spread through websites, blogs, fan forums, social platforms and online video services.
This changed the role of the music video. It was still a promotional tool, but it also became part of an artist’s searchable identity. Fans could return to videos repeatedly, compare versions, share links, build playlists and discover older clips alongside new releases. The result was a decade where visual culture became more accessible and more fragmented at the same time.
The 2000s were also visually broad. The decade included high-budget pop videos, nu metal performance clips, emo and pop-punk storytelling, indie rock live energy, hip-hop narrative videos, electronic club visuals, country storytelling, R&B performance videos and experimental work from artists and directors using the format in different ways.
The 2000s channel includes artist pathways that make it easier to move from a decade view into a specific catalogue. These artist channels help connect individual videos to a wider body of work.
The Kanye West music video channel includes 48 videos from 2000-2022. On AltSounds.TV, Kanye West is connected to hip-hop, pop music and electro, with videos that sit across rap, urban, hip-hop, pop, electronic, chill, classics, dance and bass categories. His channel is a useful route into 2000s hip-hop, pop crossover and large-scale artist worldbuilding.
The Eminem music video channel includes 44 videos from 1998-2024. Within the 2000s context, Eminem is a major route into narrative-driven rap videos, character-led visuals, satire, controversy and mainstream hip-hop’s relationship with music television and online replay culture.
The Linkin Park music video channel includes 21 videos from 2000-2025. The band is connected to alternative, rock, alternative rock, nu metal, hard rock, post-grunge, rap rock, electronic rock and beats. Their channel is especially useful for exploring the 2000s collision of rock, hip-hop, electronics and large-scale visual identity.
The Slipknot music video channel includes 22 videos from 1999-2019. On AltSounds.TV, the band is connected to metal, nu metal, alternative metal, heavy and rock. Their videos help represent the heavier side of the 2000s archive, where masks, performance intensity, aggressive editing and extreme visual branding became central to metal’s screen identity.
The Super Furry Animals music video channel provides a route into the alternative, indie and experimental side of the 2000s archive. The band’s videos are useful for exploring how guitar-led and psychedelic-leaning acts used humour, surreal imagery and creative concepts during the period.
The Shakira music video channel connects the 2000s archive to global pop, Latin pop and dance-led visual culture. Her videos show how choreography, performance, styling and international pop identity played an important role in the decade.
The Brad Paisley music video channel and Toby Keith music video channel connect the 2000s archive to country music video storytelling. Country videos from the decade often focus on character, humour, performance, location and narrative, giving the 2000s channel a broader view than a rock, pop or hip-hop-only archive.
The full 2000s channel includes more than a thousand videos. These selected examples provide a useful starting point for exploring the range of the archive.
Jason Mraz - Lucky (feat. Colbie Caillat) is listed on AltSounds.TV as a 2009 video directed by Darren Doane. It is categorised across acoustic, acoustic rock, folk-pop, pop and pop rock, making it a useful example of the softer, singer-songwriter side of the 2000s archive.
Dashboard Confessional - Hands Down is listed as a 2003 video directed by Nzingha Stewart. It sits across acoustic rock, alternative, alternative rock and rock categories, and is a useful entry point for viewers exploring emo, acoustic-led rock and emotionally direct 2000s music videos.
Taking Back Sunday - A Decade Under the Influence is part of the 2000s channel and connects to the decade’s alternative rock and emo landscape. It represents the louder, band-focused side of 2000s rock video culture, where performance, emotional urgency and scene identity were central.
Bloc Party - Like Eating Glass (Later Archive 2004) is listed in the 2000s archive and connects to indie rock and post-punk revival. It is a useful example of how live television, archive performance and indie rock energy formed part of the decade’s visual record.
Madvillain - All Caps is listed as a 2000s video directed by James Reitano. It is categorised across alternative, hip-hop and rap, making it a strong example of underground hip-hop’s visual language during the decade.
Fedde Le Grand - Put Your Hands Up For Detroit is listed as a 2000s dance and electro house video directed by Marcus Adams. It represents the club-focused side of the decade, where dance music videos used rhythm, repetition, styling and high-impact imagery to translate nightlife energy onto screen.
Björk - It’s in Our Hands is listed as a 2000s video directed by Spike Jonze. It connects to alternative and experimental categories, showing the more surreal and art-led side of the decade’s music video archive.
P.O.D. - Alive is listed as a 2001 video directed by Francis Lawrence. It sits across alternative metal, Christian rock and metal, and is a strong example of the early 2000s rock and nu metal video landscape.
The Walkmen - The Rat is listed as a 2004 video directed by Eva Aridjis. It connects to alternative, garage and garage rock categories, making it a useful entry point into the rawer indie and post-punk side of the 2000s.
Goldfinger - Spokesman is listed as a 2002 video directed by Marc Webb. It is categorised across alternative, alternative rock, punk and punk rock, placing it within the skate-punk and pop-punk side of the 2000s archive.
Rock was one of the defining visual areas of 2000s music video culture. The decade included post-grunge, nu metal, alternative rock, emo, pop punk, garage rock, indie rock, metal and hard rock. Some videos used large-scale performance and dramatic editing, while others leaned into lower-budget energy, live footage, tour culture or scene-specific identity.
The Rock music video channel, Alternative music video channel, Indie Rock music video channel, Punk music video channel and Metal music video channel provide wider routes into this part of the archive.
Useful starting points include Linkin Park, Slipknot, P.O.D. - Alive, Dashboard Confessional - Hands Down, Taking Back Sunday - A Decade Under the Influence, The Walkmen - The Rat and Goldfinger - Spokesman.
Hip-hop videos were central to the 2000s. The decade included mainstream rap, underground hip-hop, pop rap, conscious rap, Southern rap, producer-led visuals and increasingly cinematic video releases. Music videos helped communicate identity, region, style, humour, conflict, status and storytelling across the genre.
The Hip Hop music video channel provides a broader route into this side of the archive. Artist channels such as Kanye West and Eminem are useful starting points, while Madvillain - All Caps represents a more underground and alternative hip-hop path through the decade.
Pop and R&B videos in the 2000s were highly visible and often built around performance, styling, choreography, narrative and artist image. The decade included major pop campaigns, crossover R&B releases, global pop stars and videos that became strongly associated with an artist’s public identity.
The Pop music video channel and R&B music video channel provide wider routes into this part of the catalogue. Artist channels such as Shakira show how global pop, dance, choreography and visual identity shaped the decade.
Electronic and dance music videos were also important to the 2000s archive. The decade included house, electro house, club music, dance-pop, electronic rock, experimental electronic music and crossover festival sounds. Videos from this area often used nightlife settings, stylised bodies, repetition, light, club imagery, digital effects and high-impact visual concepts.
The Electronic music video channel and Dance music video channel provide broader routes into this section. Fedde Le Grand - Put Your Hands Up For Detroit is a useful example of club-focused 2000s dance video culture, while Björk - It’s in Our Hands shows a more experimental path through the decade.
The 2000s were a strong decade for indie, emo and post-punk revival videos. Many of these clips used live performance, band chemistry, stripped-back production, urban locations, tour footage, emotional storytelling and a sense of scene identity. Some videos looked deliberately raw, while others used polished direction to bring underground or alternative sounds into wider circulation.
The Indie music video channel, Indie Rock music video channel and Alternative music video channel are useful for this area. Relevant 2000s examples include Bloc Party - Like Eating Glass (Later Archive 2004), The Walkmen - The Rat, Dashboard Confessional - Hands Down and Taking Back Sunday - A Decade Under the Influence.
The 2000s archive also includes country, folk, acoustic and singer-songwriter music videos. These videos often use a different visual rhythm from pop, rock or hip-hop, with more emphasis on storytelling, place, character, acoustic performance and emotional clarity.
The Country music video channel provides a deeper route into this side of the archive. Artist channels such as Brad Paisley and Toby Keith connect the 2000s page to country video culture, while Jason Mraz - Lucky (feat. Colbie Caillat) represents the acoustic and pop singer-songwriter side of the decade.
The easiest way to start is with the full 2000s music video channel. From there, viewers can move into individual artist channels, related genres, other decade pages or the wider AltSounds.TV discovery system.
For genre-led browsing, use All Genres. For decade-led browsing, use Time Travel. To compare the 2000s with surrounding eras, explore the 1990s music videos archive or continue forward into the 2010s music videos channel.
This structure makes the page more useful than a simple list. A viewer can start with one video, follow the artist, explore the genre, move across the decade, or compare the same style with older and newer periods of music video history.
AltSounds.TV is built for watching and browsing curated music video channels. AltSounds.com supports the wider archive as the AltSounds Music Video Database, with individual music video entries, archive pages and additional discovery routes.
Together, the two sites are designed to make music videos easier to watch, organise, research and rediscover. AltSounds.TV focuses on channel-based discovery, while AltSounds.com supports the broader database mission of documenting music videos across artists, genres, directors, countries and eras.
AltSounds.TV gives 2000s music video discovery a clearer structure. Instead of searching through disconnected uploads or relying only on recommendation feeds, the 2000s channel gives viewers a decade-based way to explore official music videos and related archive entries.
The 2000s music video channel is the main AltSounds.TV decade page for browsing music videos connected to the 2000s. It includes official videos, classics, deep cuts, live sessions, archive performances and genre-spanning releases from across the period.
The 2000s channel currently lists 1,462 videos spanning 1996-2010.
Yes. You can browse related genre channels including Alternative, Pop, Rock, Electronic, Hip Hop, R&B, Dance, Punk, Metal and Country.
Visible artist pathways from the 2000s channel include Kanye West, Eminem, Linkin Park, Slipknot, Super Furry Animals, Shakira, Brad Paisley and Toby Keith.
Yes. Use Time Travel to browse decade channels, including the 2020s, 2010s, 1990s, 1980s and 1970s.
No. This is a 2000s music video archive. The focus is on official videos, artist channels, genre pathways and the visual presentation of music during the decade, rather than a simple list of songs.