New Kids On The BlockRemix (I Like The)
Directed by Rami Hachache
A vibrant pop‑rock / synth‑pop single and lead release from their album “10”, “Remix (I Like The)” features a whimsical video starring Artemis Pebdani as…
Directed by Rami Hachache
A vibrant pop‑rock / synth‑pop single and lead release from their album “10”, “Remix (I Like The)” features a whimsical video starring Artemis Pebdani as…
Directed by Tim Mattia
Stay is a dance-pop collaboration between Russian-German producer Zedd and Canadian singer-songwriter Alessia Cara, released on February 23, 2017, through Interscope Records. The track blends…
Directed by Videodrome
A gritty, cinematic narrative unfolding in moody urban spaces—portraying a tense, atmospheric tension that mirrors the song’s emotional weight.
Directed by OurVinyl
Fleurie's "Hurts Like Hell" is a poignant ballad that delves into themes of heartbreak and emotional pain. Released as part of her "OurVinyl Sessions" on…
Directed by Wayne Isham
Goodbye in Her Eyes, released on October 1, 2012, is a deeply emotional ballad by the Zac Brown Band from their “Uncaged” album. The song…
Directed by Anaïs Gallagher Sam Hannigan, Glenn Hanstock
A behind‑the‑scenes tour diary in music video form: “My Honest Face” captures Inhaler on the road during their early 2021 live run—playing sweaty UK/IE club…
Directed by Justin Clough
Rednecker is a tongue-in-cheek country anthem by HARDY, released on March 4, 2019, as the lead single from his debut EP *This Ole Boy*. Co-written…
Bubblegum Bitch is the energetic opening track from Marina and the Diamonds' 2012 album, “Electra Heart”. In 2019, Marina delivered a captivating performance of this…
Pretend is a collaborative track between British indie-pop artist Far Caspian and American musician BOYO, released in 2019 as part of Far Caspian's EP, “The…
Directed by Lewis Knaggs
"Holy Fire" strips We Are The Ocean down to their rawest—a departure from their earlier post-hardcore bombast into something more melodic and restrained. Director Lewis…
Directed by Stephen Wayne Mallett, Lindsey Stirling
Love Goes On and On is a captivating collaboration between violinist Lindsey Stirling and Evanescence's lead vocalist, Amy Lee. Released on September 6, 2019, as…
Directed by DYLAN STEINBERG SHERVIN LAINEZ
Ingrid Michaelson's "Blood Brothers," released on July 15, 2012, as the second single from her album 'Human Again,' is an indie pop anthem emphasizing unity…
Directed by Jake Munro Mild Orange
A dreamy dream‑pop single video filmed on a spontaneous New York night, capturing the band's nostalgic emotional energy as they perform under city lights
Directed by Frederic Gmeiner
chasing god through palmyra by nonkeen is an abstract, instrumental piece that blends ambient textures with experimental jazz and analog warmth. The track drifts through…
Directed by Gary Menotti KLRU-TV / Austin City Limits
A dynamic live rendition of “Jet Airliner” performed by the Steve Miller Band during their 2011 appearance on Austin City Limits. This performance captures the…
Directed by Live Set
This “From The Basement” full set showcases Thom Yorke’s solo work in an intimate, stripped-down setting. With moody lighting and experimental arrangements, the session captures…
Shakey Graves' "Built to Roam" is a standout track from his debut album *Roll the Bones*, originally released in 2011. The song encapsulates themes of…
Directed by Matt Carins, Ryan Henderson
The Open Road is a reflective indie folk track by Australian duo Hollow Coves, released on October 18, 2019, as part of their debut album,…
Directed by Shane McCauley
Shakey Graves' "Roll the Bones" is a standout track from his self-released debut album of the same name, which dropped on January 1, 2011. The…
Directed by Peter Huang
"Shutter Island" is a powerful single by Canadian singer-songwriter Jessie Reyez, featured on her debut EP, *Kiddo*. The song delves into themes of emotional turmoil…
Directed by Phil Beastall
Lewis Capadli's "Someone You Loved" shows the elder Capaldi as a bereaved husband who finds some joy when he visits the family of the woman…
Directed by Rayn Magic
Pain Killer is a track by Canadian artist Sickick, released in 2019. The song delves into themes of addiction and emotional dependency, portraying a profound…
Directed by Ft. Langley
A tender live session version of “Only She Knows”, filmed in the summer of 2018; features airy vocals, gentle instrumentation, capturing intimacy and reflection in…
Explore 2010s music videos on AltSounds.TV, a human-curated channel for watching official music videos, modern classics, deep cuts and genre-spanning releases from one of the most important decades in digital music culture. The 2010s music video channel currently features 4,026 videos spanning 2007-2019, including videos connected to artists such as Arctic Monkeys, Kanye West, Bon Iver, Run The Jewels, Eminem, James Blake, Blood Orange and alt-J.
This page is designed for anyone looking for the best music videos of the 2010s, official music videos from the 2010s, decade-based music video discovery, or a more structured alternative to searching through disconnected video platforms. Instead of relying only on autoplay, social feeds or algorithmic recommendations, AltSounds.TV organises music videos by decade, artist, genre and related channel.
The 2010s were a major transition point for music videos. The decade moved further away from music television as the main discovery format and deeper into YouTube, streaming platforms, social media, smartphones and global digital distribution. Music videos became easier to publish, easier to share and easier to revisit, but also easier to lose inside endless feeds. The 2010s channel gives those videos a clearer archive structure.
The 2010s channel brings together music videos from across alternative, indie, pop, rock, hip-hop, electronic, dance, R&B, country, folk, punk, metal and experimental music. It includes mainstream hits, independent releases, live sessions, artist-led visuals, director-led videos and genre-crossing releases from across the decade.
Because the channel is organised by decade, it provides a simple way to explore a full period of music video culture without needing to search artist by artist. You can start with the main 2010s music videos channel, then move into wider discovery routes such as All Genres, Time Travel, Alternative, Pop, Rock, Electronic, Hip Hop, R&B and Dance.
The 2010s page also sits between the 2000s music videos archive and the 2020s music videos channel, making it useful for comparing how music videos changed before and after the streaming and social media shift.
The 2010s changed the role of the music video. Videos were no longer built mainly for television rotation or traditional music channels. They became digital-first releases, search assets, fan moments, social objects, visual statements and long-term archive entries. A music video could break through because of a major artist campaign, a striking visual idea, a director’s style, a dance trend, a meme, a fan community or simple replay value.
This decade also widened the definition of what a music video could be. A 2010s music video might be a high-budget pop production, a low-budget indie clip, a cinematic short film, a live session, a dance-led visual, an animated video, a lyric-led release, a vertical-friendly concept or a stripped-back performance piece. The format became more open, more flexible and more closely tied to how audiences discover music online.
That makes the 2010s a useful decade to explore through video. The archive shows not only what artists released, but how they presented themselves visually during a period when online identity, video platforms and social sharing became central to music culture.
The 2010s channel includes artist pathways that make it easier to move from a decade view into a specific catalogue. These artist channels help connect individual videos to a wider body of work.
The Arctic Monkeys music video channel is one of the visible artist routes from the 2010s archive. Their videos are useful for exploring how a major guitar-led band moved through different visual identities across indie rock, alternative rock and wider popular culture during the decade.
The Kanye West music video channel connects the 2010s archive to one of the decade’s most visible hip-hop and pop culture figures. His videos are relevant for viewers interested in the relationship between rap, fashion, performance, visual identity and large-scale artist worldbuilding.
The Bon Iver music video channel provides a route into the quieter, more atmospheric side of the 2010s archive. Bon Iver’s visual world connects with indie, folk, electronic texture, abstraction and emotionally restrained music video storytelling.
The Run The Jewels music video channel includes 25 videos from 2013-2020. On AltSounds.TV, Run The Jewels are connected to hip-hop, urban, alternative hip-hop and beats. Their channel is useful for exploring politically charged, high-energy and animation-led hip-hop videos from the 2010s and early 2020s.
The Eminem music video channel includes 44 videos from 1998-2024. Within the 2010s context, Eminem provides a route into mainstream rap videos, character-driven visuals, high-viewership releases and the continuation of a major 2000s artist into the streaming decade.
The visible 2010s artist pathways also include James Blake, Blood Orange and alt-J. These channels are useful for exploring the decade’s more atmospheric, art-led and genre-blending side, where electronic production, indie music, R&B, alternative pop and visual experimentation often overlap.
The full 2010s channel includes thousands of videos. These selected examples give a useful starting point for exploring the range of the archive.
Zedd & Alessia Cara - Stay is listed on AltSounds.TV as a 2017 video directed by Tim Mattia. The video is categorised across dance, dance-pop, EDM, electronic, pop and related electronic styles, making it a strong example of the decade’s polished crossover between pop songwriting and electronic production.
Kungs - I Feel So Bad (feat. Ephemerals) is listed as a 2016 video directed by Videodrome. On AltSounds.TV, it connects to dance, deep house, EDM, electronic, house and tropical house, showing how club-focused music videos formed a major part of the 2010s visual landscape.
Inhaler - My Honest Face is listed within the 2010s archive and connects to alternative, alternative rock, indie and related rock categories. It is a useful example of how younger guitar bands continued to use tour footage, performance and band identity within modern music video formats.
Måneskin - Beggin’ appears in the 2010s channel and connects to alternative, alternative rock, experimental and rock-related categories. It shows how older songs, covers and performance-led rock visuals continued to find new audiences through modern digital platforms.
Lewis Capaldi - Someone You Loved is listed in the 2010s archive and connects to the decade’s singer-songwriter and emotional pop landscape. The video is useful for viewers exploring how direct narrative, close performance and emotional clarity shaped many late-2010s music videos.
HARDY - Rednecker is listed as a country video within the 2010s archive. It shows how the decade’s music video culture extended beyond pop, hip-hop, rock and electronic music into country, country rock and personality-led storytelling.
Sickick - Pain Killer is listed within the 2010s channel and connects to dance and electronic categories. It is a useful example of the darker, more mood-led side of electronic-influenced music video presentation.
Pop music videos remained central to the 2010s. The decade produced large-scale pop campaigns, choreography-led videos, visual album thinking, high-concept releases and intimate artist-led clips. Pop videos also became more closely tied to social sharing, short clips, fan communities and replay culture.
The Pop music video channel provides a wider route into this side of the archive. Within the 2010s, pop often overlaps with dance, R&B, electronic music, hip-hop and indie pop, making it one of the most fluid categories for music video discovery.
Hip-hop videos were one of the defining visual forces of the 2010s. The decade included major label rap videos, independent rap visuals, political hip-hop, alternative hip-hop, trap, viral clips, animation, performance videos and cinematic releases. The format was used to communicate place, identity, status, humour, protest, character and visual worldbuilding.
Viewers can explore this side of the archive through the Hip Hop music video channel, as well as artist pathways such as Run The Jewels, Eminem and Kanye West.
Electronic and dance music videos were a major part of the 2010s archive. This was a decade where EDM, deep house, tropical house, electronic pop, dance-pop and festival-focused music became highly visible online. Videos often used clean production, urban settings, cinematic mood, club references, choreography, visual effects, travel imagery and emotional storytelling.
The Electronic music video channel and Dance music video channel provide broader routes into this part of the catalogue. Videos such as Zedd & Alessia Cara - Stay and Kungs - I Feel So Bad show how electronic production and pop-facing music videos overlapped during the decade.
Rock, alternative and indie music videos continued to evolve through the 2010s. The decade included guitar bands working with traditional performance formats, indie artists using low-budget visual ideas, alternative acts developing more cinematic worlds, and established bands adapting to digital-first video release strategies.
The Rock music video channel, Alternative music video channel, Indie music video channel and Indie Rock music video channel provide wider paths into this part of the 2010s archive.
Artist routes such as Arctic Monkeys, alt-J, Bon Iver and James Blake show how alternative and indie-adjacent music videos could move between performance, abstraction, atmosphere, narrative and visual minimalism.
R&B, alternative R&B and experimental pop were important to the 2010s visual landscape. Many videos from this area focused on mood, lighting, texture, intimacy, choreography, fashion and emotional tone. The decade also saw artists blending R&B with electronic production, indie music, hip-hop, art pop and visual experimentation.
The R&B music video channel provides a broader way to explore this side of the archive. Artist pathways such as Blood Orange and James Blake also connect the 2010s to music videos that sit between genre, mood and visual art direction.
The 2010s channel also includes country, folk, Americana and acoustic-led videos. These videos often use different visual methods from pop, hip-hop or electronic releases, with more emphasis on songwriting, location, character, live performance, landscape and narrative clarity.
Examples such as HARDY - Rednecker show how country music videos remained part of the wider 2010s visual archive. For more, the Country music video channel provides a deeper genre-led route.
The easiest way to start is with the full 2010s music video channel. From there, viewers can move into individual artist channels, related genres, other decade pages or the wider AltSounds.TV discovery system.
For genre-led browsing, use All Genres. For decade-led browsing, use Time Travel. To compare the 2010s with surrounding eras, explore the 2000s music videos archive or continue forward into the 2020s music videos channel.
This structure makes the page more useful than a simple list. A viewer can start with one video, follow the artist, explore the genre, move across the decade, or compare the same style with older and newer periods of music video history.
AltSounds.TV is built for watching and browsing curated music video channels. AltSounds.com supports the wider archive as the AltSounds Music Video Database, with individual music video entries, archive pages and additional discovery routes.
Together, the two sites are designed to make music videos easier to watch, organise, research and rediscover. AltSounds.TV focuses on channel-based discovery, while AltSounds.com supports the broader database mission of documenting music videos across artists, genres, directors, countries and eras.
AltSounds.TV gives 2010s music video discovery a clearer structure. Instead of searching through disconnected uploads or relying only on recommendation feeds, the 2010s channel gives viewers a decade-based way to explore official music videos and related archive entries.
The 2010s music video channel is the main AltSounds.TV decade page for browsing music videos connected to the 2010s. It includes official videos, modern classics, deep cuts, live sessions and genre-spanning releases from across the period.
The 2010s channel currently lists 4,026 videos spanning 2007-2019.
Yes. You can browse related genre channels including Alternative, Pop, Rock, Electronic, Hip Hop, R&B, Dance and Country.
Visible artist pathways from the 2010s channel include Arctic Monkeys, Kanye West, Bon Iver, Run The Jewels, Eminem, James Blake, Blood Orange and alt-J.
Yes. Use Time Travel to browse decade channels, including the 2020s, 2000s, 1990s, 1980s and 1970s.
No. This is a 2010s music video archive. The focus is on official videos, artist channels, genre pathways and the visual presentation of music during the decade, rather than a simple list of songs.